![]() He replaces the plushness of Baker and the sustained gleam of de los Angeles with a more overtly dramatic plaint. He sings like a youth with his heart in his throat. My research – limited to what I have lying around the house – sheds no light on whether Chausson sanctioned a baritone in this work does anyone have any information pro or con? At any rate, Le Roux is a success. It makes sense for a man to take it on, though Bouchor's text is an address to something feminine, and it is unlikely that he and Chausson intended to rock the boat, as it were, with lesbian content. This is the first time I've heard of a baritone singing it. Véronique Gens is recording this cycle for the first time, although she has already recorded ‘Le temps des lilas’ with Susan Manoff at the piano for her disc Néère (ALPHA 215), about which Ernst Van Bek wrote in Classiquenews: "it mesmerises with the nuancing of its colours, the allusive precision of every sung word".I've heard the Poème de l'amour et de la mer sung by a soprano (Victoria de los Angeles) and by two mezzo-sopranos (Janet Baker and Gladys Swarthout). Poème de l’amour et de la mer is simultaneously a profane, naturistic cantata, a monologue, and a song cycle, it was composed between 18. Chausson is a most unusual figure in French music, positioned at the crossroads where the romanticism of Berlioz and Franck meet the language of Wagner and the symbolism of the young Debussy.
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